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A brilliant novel from "the herald of a new wave of Chilean fiction" (Marcela Valdes, The Nation)
Alejandro Zambra's Ways of Going Home begins with an earthquake, seen through the eyes of an unnamed nine-year-old boy who lives in an undistinguished middle-class housing development in a suburb of Santiago, Chile. When the neighbors camp out overnight, the protagonist gets his first glimpse of Claudia, an older girl who asks him to spy on her uncle Ra�l.
In the second section, the protagonist is the writer of the story begun in the first section. His father is a man of few words who claims to be apolitical but who quietly sympathized―to what degree, the author isn't sure―with the Pinochet regime. His reflections on the progress of the novel and on his own life―which is strikingly similar to the life of his novel's protagonist―expose the raw suture of fiction and reality.
Ways of Going Home switches between author and character, past and present, reflecting with melancholy and rage on the history of a nation and on a generation born too late―the generation which, as the author-narrator puts it, learned to read and write while their parents became accomplices or victims. It is the most personal novel to date from Zambra, the most important Chilean author since Roberto Bola�o.
- Sales Rank: #188668 in Books
- Published on: 2014-01-14
- Released on: 2014-01-14
- Original language: English
- Number of items: 1
- Dimensions: 7.13" h x .44" w x 4.92" l, .30 pounds
- Binding: Paperback
- 160 pages
From Booklist
*Starred Review* Readers will find it hard to believe that an author can describe two lives, the philosophy of writing, and a true picture of a historical time, all in 139 pages, but Chilean poet and novelist Zambra accomplishes this with seeming ease and grace. In four sections, he alternates between the life of the unnamed main character of a novel and that of the novel’s author. Beginning with an earthquake in Pinochet’s Chile, the tale shows a nine-year-old boy meeting the intriguing Claudia, who comes back into his life when he is in his thirties. Interchanging the two stories supports the authorial musings on his own life and marriage as well as his ruminations on the parallels with the novel in progress. The writing is poetically charged, and Zambra’s use of the metafiction format allows the author to paint a broad picture of Chile’s history over more than 30 years and to describe quite fully the lives of the protagonist and the narrator. The subtle, masterful novel will transcend regional interest and appeal to a broad spectrum of literary readers. --Ellen Loughran
From Bookforum
Ways of Going Home elevates Zambra to the status of living writers we "simply must read," like Denis Johnson, Lydia Davis, and Mary Gaitskill. His voice is as natural and intimate as Roberto Bola�o's, an obvious but healthy influence, and his subjects—love, memory, death, and guilt—are as big as he can find. —Clancy Martin
Review
“Even IKEA doesn't make so much of so little space as does this young Chilean novelist. His latest book revolves around a quartet of chapters, woven around one thread about a young boy growing up in the Pinochet years and another of the novelist writing his story. In many ways, the book recalls the miniature roominess Philip Roth achieved in his great novel, The Ghost Writer. The stories we tell imagine us as much as us them, Zambra reminds, with the power and intensity of a writer who grew up in the shadow of a terrible war.” ―John Freeman, The Boston Globe
“Funny, contemplative, and quietly moving, Ways of Going Home pulls off the intoxicating trick of making the world feel smaller in its familiar touchstones found in a time of unique tragedy.” ―Chris Barton, The Los Angeles Times
“[Zambra's novels] are written with startling talent. And Zambra's latest novel represents, I think, his deepest achievement . . . 'We go home,' Zambra writes, 'and it's as if we were returning from war, but from a war that isn't over.' This is the giant, poignant condition staged by the novel's playful doubleness--the way the best conjuring trick is the one where you're shown how it's done, which in no way contradicts your belief that what you've seen is magic.” ―Adam Thirlwell, The New York Times Book Review
“A fascinating reflection on historical complicity, translated with restrained elegance by Megan McDowell.” ―The Financial Times
“I read all of Alejandro Zambra's novels back-to-back because they were such good company. His books are like a phone call in the middle of the night from an old friend, and afterward, I missed the charming and funny voice on the other end, with its strange and beautiful stories.” ―Nicole Krauss, author of Great House
“In Alejandro Zambra, the poet and novelist are organically fused. Nearly every line startles in one way or another, always propelling the story forward toward a complete emotional journey. Ways of Going Home is compact, intimate, but also sweeping--and Zambra is amazing!” ―Francisco Goldman, author of Say Her Name
“Alejandro Zambra is one of the writers of my generation whom I most admire. Never a wasted word. Never a false note. His is an utterly unique voice, one I go back to again and again.” ―Daniel Alarc�n, author of Lost City Radio
“I envy Alejandro the obvious sophistication and exquisite beauty of the pages you are about to read, a work which is filled with the heartfelt vulnerability of testimony. I loved it and I read it with the great joy of anticipation that one has reading a writer one hopes to read more and more of in the future.” ―Edwidge Danticat, Granta
“Alejandro Zambra belongs to that rare species of writer who brings language back to life. The strength of Ways of Going Home, its potency, is in the way it unfolds language in order to place its readers at that almost ungraspable intersection between individual and collective history.” ―Valeria Luiselli, author of Faces in the Crowd
“Complex yet sophisticated, [Ways of Going Home] places Zambra at the spearhead of a new Chilean fiction and sets him alongside other Latin American writers such as Colombia's Juan Gabriel Vasquez, who weave some of the continent's most difficult historical themes into an exciting modern art form.” ―Mina Holand, The Observer
“Ways of Going Home manages, in its sparse, moving, constantly smoking cool-eyed Chilean way, to add up to a stark and timely study of fiction, truth, memory, family, revolution, secrets, lies, sex, Pinochet and death . . . A wonderful book.” ―Stuart Hammond, Dazed & Confused
“Rising through the ranks of Latin American literature is Alejandro Zambra, a writer from Chile who has won over critics with his captivating work . . . Thought-provoking and inspiring, [Ways of Going Home] also echoes some of the author's own nostalgia of growing up during that turbulent time.” ―Abi Jackson, Manchester Evening News
Most helpful customer reviews
5 of 5 people found the following review helpful.
Homeward Bound
By Book Dork
I'm not sure how I even heard of this novella but Alejandro Zambra, but it was definitely an interesting piece.
Going home... to a warm bed, nice people, and homemade dinner:
- I loved the blurred lines of author, narrator/writer, and character. It's the quintessential question that good fiction should bring up: what is true and what is not?
- I appreciate the length- I think that people may complain about the lack of depth in the characters or plot, but one must remember that it is a novella. Zambra tells us what we need to know- a sort of trust is necessary when dealing with shorter works.
- It's story about going home- when do we need to, how do we get there, and most importantly, what does staying entail (physically and mentally)?
- It's also a story about a break up, on two levels (both in real life and in the book he writes; in a way it is just one, though). It isn't a highly emotional break up with pages of laments, but instead one that is hauntingly sad and simplistically complicated.
Going Home... to your friend's couch, ramen, and a cat who hates you:
- I had hoped for a little more of Chilean history to matter, to impact. I felt like it was set up in the beginning to be more of a force, but it really hung in the background.
- I thought some of the tie-ins and connections towards the end were a little sloppy.
I thought this was a quick, interesting read, but, to be honest, I'd wait until it comes into paperback- the price is pretty steep for what it is.
5 of 5 people found the following review helpful.
need a real 'earthquake' to shake this book
By Luzviminda
I found the characters interesting, especially the narrator - he has a lot of wise things to say about mundane as well as important things - like parent-children relationships, etc. but i was not engaged in the narrative which is a series of visits to former homes and neighborhoods, meeting girlfriends, relatives, friends and just chatting over the past. True, there is a little mystery thrown and the narrator gets a chance to be an unpaid 'spy' but it's just a little game this girl, Claudia, wants to play; it's not enough to grip me. Excellent translation, though.
4 of 4 people found the following review helpful.
Short but lovely new novel by Alejandro Zambra
By Cassandra
This brief, 160-pages long novella looks at the recent past of Chile's Pinochet years, through the point of view of a now-adult who grew up in the 80s. I find it fascinating, this question of how we consider the recent past: too long ago for us to be directly implicated in it; too near for us to be unaffected.
The key character in `Ways of going home' (Zambra's 3rd novel) is a Chilean man (the narrator) who looks back at his childhood years in Santiago, at the time the Pinochet regime was in full swing. Time is the central theme of this book, as well as the parallel, shifting points of view of adults and children: what did the boy understand as a child about his parents' stance in terms of the dictatorship? How does he look back at events (e.g. adult discussions) as an adult now himself? Zambra creates a thought-provoking world where the child and adult perspectives and memories overlap at times, while at other times they take different directions.
The story begins during an evening when there's a strong earthquake in Santiago, bringing the boy together with a neighbourhood girl, Claudia, who guides him in directions that will stay with him for life. Years later, Claudia, after being lost from him for a long time, reappears into his life and the reader is left with questions about reality and fantasy. Indeed, `Ways of going home' can be seen precisely as this: some thoughts about what's really true and what's true only in our minds; some thoughts about how to deal with the past when it turns out it's unthinkable and we didn't know it; some thoughts about complicity, being a bystander and innocence or not-knowing. How do you answer the question of complicity when you--as I read somewhere the author feels--were not one of the primary victims of a tragedy and yet you end up feeling implicated by default, through your parents or through your mere presence in the country at the time? The other question the novel asks is about how we frequently end up being supportive actors, with little influence in the life of, first, our family, but also, more widely, the community we live in.
Despite its brevity, `Ways of going home' is charming and insightful, bursting at the seams with ideas that I think beg for more space. It has an interesting (although perhaps not that original anymore) structure--alternating between past and present, narrator and fictional character. I suppose that puts it in the field of a postmodern novel, although I'm not too keen about these sorts of labels.
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